SANAA - “The solution emerged through an extensive period of trial and error. We made numerous study models based upon the New Museum’s program and the demands of the site, the zoning envelope. First we arrived at the notion of the boxes themselves; each one represents a specific piece of the program developed by the Museum. Then we tried shifting the boxes to render the inside of the building more accommodating and open, with more possibilities for daylight to enter spaces and views to appear at various points in the interiors.
We designed the building from the inside out, based upon our understanding of the Museum’s needs. Because of the kind of art the Museum shows and the curatorial approach they take, we wanted to design simple spaces - spaces without columns and with a lot of possibilities for different configurations, for placement of temporary dividing walls, and so forth - that would provide the widest range of options. We do not believe that a building should overwhelm or compete with the art presented within it, particularly when it comes to contemporary art. So we have tried to make spaces that are inviting but straightforward.”
